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關(guān)良（1900-1986） 昆明街景 紙本 水彩
1943-1944年作
鈐印：關(guān)良
出版：《關(guān)良百年紀(jì)念展》畫(huà)集，P82.
展覽：
“紙上作品展—林風(fēng)眠、關(guān)良雙人展”，臺(tái)灣，1998年。
“關(guān)良百年紀(jì)念展”，臺(tái)灣，2000年。 “關(guān)良個(gè)展”，臺(tái)灣，2000年。
“林風(fēng)眠、關(guān)良、常玉、朱沅芷、吳冠中、趙無(wú)極聯(lián)展”，臺(tái)灣，2005年。
GUAN LIANG(1900-1986) STREET SCENERY IN KUNMING
Watercolor on paper
Dated 1943-1944 Description: with a seal of the artist.
Illustrated: A Centennial Exhibition of Guan Liang, p.82.
Exhibited: “Works on Paper-Exhibition of Lin Fengmian and Guan Liang”, Taiwan, 1998.
“The Centennial Exhibition of Guan Liang”, Taiwan, 1998.
“Guan Liang’s solo Exhibition”, Taiwan, 2000.
“The Group Exhibition of Lin Fengmian, Guan Liang, Chang Yu, Zhu Yuanzhi, Wu Guanzhong and Zao Wou-ki”, Taiwan, 2005.
18×28cm
RMB: 80,000-100,000
關(guān)良，1900年生于廣東。17歲隨兄東渡日本，先后入川端研究所師從畫(huà)家藤島武二，轉(zhuǎn)入“太平洋畫(huà)會(huì)”師從中村不折先生學(xué)習(xí)美術(shù)。歸國(guó)后，任教于上海神州女學(xué)。1924年以三十余件油畫(huà)作品參加上海東方藝術(shù)研究會(huì)第一屆畫(huà)展。相繼擔(dān)任上海師范學(xué)校、上海美術(shù)專(zhuān)科學(xué)校教職，任教之余常欣賞京劇藝術(shù)，并拜師學(xué)戲。1925年“東方藝術(shù)研究會(huì)”改組為上海藝術(shù)大學(xué)，任教于該校。1926年赴廣州任教于廣州美術(shù)學(xué)校、中山大學(xué)附中。1937年到昆明任教于國(guó)立藝專(zhuān)。1942年在成都舉辦戲曲人物畫(huà)展，郭沫若、茅盾等為之題詞稱(chēng)贊。后任重慶國(guó)立藝專(zhuān)教授。1945年抗日戰(zhàn)爭(zhēng)勝利回到杭州。曾任上海中國(guó)畫(huà)院畫(huà)師、浙江美院教授、中國(guó)美術(shù)家協(xié)會(huì)理事，美協(xié)上海分會(huì)副主席。1957年與李可染一起赴德國(guó)友好訪問(wèn)，萊比錫“伊姆茵采爾”出版公司為他出版畫(huà)冊(cè)?！拔母铩焙笤谏虾Ｅe辦“關(guān)良回顧展”。 Guan Liang was born in Fanyu of Guangdong province in 1900. He studied art in Tokyo from 1917-1922 where he got in touch with Western oil painting. After returning home, he taught at several prestigious art academies including Shanghai Academy of Fine Arts, Hangzhou National Art College, Guangzhou Academy of Fine Arts. During his first solo exhibition which was held in Chengdu (1940), Guan established himself as a highly talented painter through distinct portraits. In 1945, Guan and masters: Lin Fengmian, Ding Yanyong, Zhao Wuji, Ni Yide, and Pang Xunqing exhibited together in Chongqing during The Modern Painting exhibition. In 1957, Guan and Li Keran were sent by the Chinese government to The Berlin Academy of Science for an exhibition. A year after his death in 1986, the Shanghai Art Museum held a memorial exhibition and symposium for him commemorating the master painter.