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民國十一年（1922），本卷由上海真賞齋行發(fā)行，見證者有于右任、許思園。從中清晰可知，本卷時歸裴景福。裴景福原籍安徽霍邱，曾任海南知縣，與李鴻章同時代，兩人曾為國家安危而擔憂。后出任安徽省公署秘書長、安徽政務(wù)廳長。嗜好收藏字畫古董，精于鑒賞，藏品豐富，爲近代著名收藏家之一。“草圣”于右任對本卷十分推崇，并從本卷取字，列于其著作《標準草書字典》中。于右任的《標準草書字典》中，所有草法均是從舉世名品中選出，如《書譜》《自序》《古詩四帖》等，唯其落款“于右任”三字中的“于”字即取自本卷。民國知名學者許思園的《中西文化回眸》一書中論及書法與音樂的關(guān)系時引用此卷，稱“如聆聽貝多芬之大交響樂”。此卷被華氏“后真賞齋”定為藏品“003號”，可見藏者之重視。無錫華氏為無錫望族之首，有收藏家風，祖上為明代大收藏家華夏及翰林院掌院學士華察，家族貯金石書畫極富。華繹之在家族收藏的基礎(chǔ)上創(chuàng)立“后真賞齋”，有“江東巨眼”之稱。六米連綿大草 上承唐風氣象 下啟明代新風唐韋續(xù)《墨藪》載“鄭虔草書如風送云收，霞催月上”，細觀本卷，筆勢流轉(zhuǎn)恰有此韻。全卷總長近七米，大草連綿，凌空取勢，揮灑豪放，縱橫七百余字，酣暢淋漓。其間多以斂毫起筆，逆露轉(zhuǎn)藏間以飛白，線條相錯，展現(xiàn)出奇古之韻味；章法則多作橫向取勢，字與字之間距離緊湊，依靠強調(diào)個別字而形成連續(xù)線條，從而制造節(jié)奏變化。上承張旭、懷素傳世大草之韻味，下啟張弼、祝允明、馬一龍之新風。大草在諸多書體中藝術(shù)水平最高，也最難掌握，是自由且個性的藝術(shù)，千年以來書家眾多而名作寥寥。早期的大草書跡，只有懷素《自序》，《食魚》，張旭《古詩四帖》，《斷千字文》等數(shù)種。其間章法取勢與筆墨精神，皆為后世典范，本卷正承襲此脈：如《大人賦》中“游”“塞”“厲”“涉流沙”等字；《自敘帖》中“軸”“來”“開”“事”等字；《大草千字文》中“云騰”“事”“沙”“絳”等字；《圣母帖》“神”“愛”“升”“中等字；《斷千字文》中“朝““飄”等，凡此種種，不一一。明人張弼、祝允明、馬一龍等書法與此亦有相似處。上文學者考鄭虔曾到江浙兩地，又檢前人筆記中言：“聞枝山學書時于某家借得鄭廣文草書卷，閉戶臨摹凡三月，乃大進”，或可為證。ZHENG QIAN (FOUNDER OF CULTURE AND EDUCATION IN TAIZHOU)  ODE TO THE GREAT MAN IN CURSIVE SCRIPT COMPOSED AT CHANGFA TEMPLEInk on silk, hand scrollIllustrated（part）:1. Cursive Script of Ode to the Great Man by Zheng Qian of the Tang Dynasty, Wuxi Institute of Technology Typography Office, 19222. Standard Cursive Script, p. 32, Shanghai Book Store Publishing House, 19833. A Brief Biography of Zheng Qian, pl. 10, Huangshan Publishing House, 19984. Yu Youren's Dictionary of Standard Cursive Script, p. 3, Shaanxi People's Fine Arts Publishing House, 20005. Calligraphy and Painting by Zheng Qian of the Tang Dynasty, pp. 1–31, Shanghai Ancient Books Publishing House, 2001Literature（part）:11.Literature, History and Philosophy, The Characteristics of Chinese Poetry by Xu Siyuan, issue no. 1Shandong People's Publishing House, 198512. A Retrospect of Chinese and Western Culture, p. 96, East China Normal University Press, 199713 Cultural Relics Records of Linhai, p. 316, Cultural Relics Publishing House, 2005Exhibited:31. 'Homecoming Exhibition of Manuscripts by Zheng Qian, the Founder of Taizhou Culture and Education', Zheng Guangwen Memorial Hall of Linhai, Taizhou, December 2025 (A replica of this lot is on permanent display at Zheng Guangwen Memorial Hall of Linhai).Note: Inscribed by Song Bolu and Hu Bicheng. Authenticated by Xiang Yuanbian, Pei Jingfu, Hua Shixun, et al.畫心：602.5×28.5cm 題跋：88×28.5cmRMB: 1,800,000－3,000,000