2148
水墨紙本 畫心
1950-1951年作
出版：《人民公敵蔣介石》，大眾美術(shù)出版社，1951年。
說明：本拍品共八十九幀,缺三幀（P51、P57、P88）。
ZHAO YANNIAN (1924-2014), ZHANG LEPING (1910-1992), ETC. ORIGINAL WORK FOR THE COMIC STRIP Ink on paper, unmounted
Dated 1950-1951
Illustrated: Dazhong Fine Arts Publishing House, 1951
八十九幀尺寸不一
RMB: 120,000-150,000
趙延年 （1924～2014），浙江湖州人，著名版畫大師。1938年考進上海美術(shù)專科學校高級藝術(shù)科。歷任上海人民美術(shù)出版社任創(chuàng)作組副組長、中國美協(xié)理事、浙江省版畫家協(xié)會名譽會長、中國美術(shù)學院教授。曾獲“中國新興版畫杰出貢獻獎”、“浙江省有突出貢獻老文藝家榮譽證書及金質(zhì)獎章”、“中國美術(shù)獎 終身成就獎”、“第九屆造型表演藝術(shù)成就獎”。代表作有《逐日》《砥》《路漫漫》。
Zhao Yannian was born in Huzhou in 1924, Zhejiang Province. In his art life, he won numerous awards with his outstanding skill and understanding of woodcut painting. In 2010, Zhao was awarded the 9th Award of Performance Art by China Federation of Literary and Art Circles.
余白墅 1920年生于浙江慈溪。版畫家。早年學漫畫，后從事版畫創(chuàng)作。1939至1945年，為推動木刻運動，先在寧波組織木刻研究會，隨后在江西、浙江多次舉辦木刻展。1945年后當選中華全國木刻協(xié)會理事。解放后，歷任上海人民美術(shù)出版社、上海書畫出版社編委、編輯部主任等職。1991年被中國美術(shù)家協(xié)會、中國版畫家協(xié)會授予“新興版畫紀念獎”。工作之余，與唐云、程十髪等著名畫家交誼頗深，時有書畫相贈。
Yu Baishu was born in Cixi, Zhejiang in 1920. He began his art career as a comic artist and then turned to printmaking. Between 1939 and 1945, Yu became an enthusiastic advocate for woodcuts by organizing a number of exhibitions in Jiangxi and Zhejiang. After 1945, Yu was elected as Director of China National Woodcuts Association.
張樂平 1910年生于浙江海鹽。畢生從事漫畫創(chuàng)作，畫筆生涯達60個春秋。他所創(chuàng)作的三毛形象，婦孺皆知，名播海外，被譽為“三毛之父”。曾任《前線日報》副刊“星期漫畫”主編、上海美術(shù)家協(xié)會副主席、中國美家協(xié)會常務理事、中國文聯(lián)委員、全國政協(xié)委員。曾獲“全國美術(shù)作品展覽會上獲得一等獎”、首屆中國福利會“樟樹獎”。代表作有《三毛流浪記》《三毛從軍記》《小蘿卜頭》。
Born in Haiyan, Zhejiang in 1910, Zhang Leping had a six-decade career as a comic artist. He played a key role in the development of modern comics in China and is mostly remembered for his work , which was translated and introduced to other countries.
米谷 1918年生于浙江海寧。畢業(yè)于上海美術(shù)?？茖W校。解放后，與張樂平一起創(chuàng)辦了中國第一本、至今仍有廣泛影響力的《漫畫》月刊并長期任主編，培養(yǎng)了大批中國漫畫家。歷任上海《解放日報》藝術(shù)組組長、中國美術(shù)家協(xié)會上海分會主席、中國美術(shù)館研究部主任。代表作有《走馬看英法》《毛澤東的青少年時代》《小二黑結(jié)婚》。
Mi Gu was born in Haining, Zhejiang in 1918 and graduated from Shanghai Fine Arts School. After liberation in 1949, he created the first domestic monthly magazine with Zhang Leping, which is still popular nowadays. Mi was the Chief Editor of this magazine and have bred many Chinese comic artists through it.
楊可楊 原名楊嘉昌。1914年生于浙江遂昌。四十年代初，與鄭野夫等從事木刻運動與抗日救亡工作。1946年以來，在上海參加中華全國木刻協(xié)會活動，曾任《時代日報》副刊《新木刻》編輯、上海人民美術(shù)出版社副總輯、《版畫藝術(shù)》主編、中國美協(xié)會員、中國版畫家協(xié)會副主席、上海版畫會會長。代表有《遺愿與宏圖》《新年》《江南古鎮(zhèn)》。
Yang Keyang, previously named as Yang Jiachang, was born in Suichang, Zhejiang in 1914. He had served positions like editor of , Chief Editor of , a member of China Artists Association, etc. His masterpieces include , etc.
張文元 1910年生于江蘇太倉?？谷諔?zhàn)爭期間參加漫畫作家協(xié)會戰(zhàn)時工作委員會，先后在《抗戰(zhàn)畫刊》及郭沫若領(lǐng)導的政治部第三廳藝術(shù)科工作。1949年后在《新聞日報》工作，參與創(chuàng)辦《漫畫》月刊，后為中國美協(xié)寧夏分會副主席。作品有《鳴炮開會》、《大鬧寧國府》、《獸性篇》。
Zhang Wenyuan was born in Taicang, Jiangsu in 1910. He once worked for and served as Vice President of Ningxia Artists Association. His representative works include , , etc.
黎冰鴻 1913年生于越南。早年師從留法越南畫家阮有悅，1913年到香港師從李鐵夫。1946年至蘇北解放區(qū)，任華中建設(shè)大學教授。1954年出訪保加利亞。曾任上海軍事管制委員會文藝處美術(shù)干事，《華東畫報》記者、制片室負責人，中國美術(shù)學院油畫系主任、副教授、院長，中國美術(shù)家協(xié)會理事、浙江分會副主席。
Li Binghong was born in Vietnam in 1913. Since 1931, he has followed Li Tiefu and continued his learning in Hong Kong. In 1946 he moved to North Jiangsu Province and became a professor of Construction University of Central China. He was Art Director of Culture Department of Shanghai Military Committee, a journalist and a producer for , Director of Oil Painting Department, an associate professor and Dean of China Academy of Art, a council member of China Artists Association and Vice Chairman of its Zhejiang Branch.
吳耘 1922年生于上海。1938年發(fā)表贊揚十九路軍奮勇抗戰(zhàn)的漫畫，1939年考入上海美術(shù)專科學校半工半讀。歷任《漫畫》雜志編委和編輯部副主任、中國美術(shù)館展覽陳列部副主任等。為中國美術(shù)家協(xié)會會員。代表作有《故事新畫》《紅軍媽媽》《難兄難弟》。
Wu Yun was born in Shanghai in 1922. In 1939, he enrolled in Shanghai Academy of Fine Arts as a part-time student. Wu assumed positions like Deputy Director of the Editorial Office with , Deputy Director of the Exhibition Department with China National Museum of Art, etc.
